Tags
What a creepy, disturbing read! So much so, that the night after I finished it, I had a dream in which I woke up thinking, “I just pulled a “Thin Kid” on them!” Yikes! You’ll have to read the book to find out what that means, but it ain’t good. The format of the book was really well done with the narrator “The Thin Good” interspersing past and present in addition to the script of the movie. Sometimes the script seemed so real that it was hard to distinguish it from the actual filming of the movie. Sometimes the narrator revealed info and hid other details. It isn’t long before you start question the reliability of the narrator but yet he keeps insisting he’s telling the truth. Definitely not a book I will forget any time soon!
But it wasn’t just “The Thin Kid” who was fascinating. Cleo and Valentina (the script writer and director) and even Karson, all who also have parts in the movie, have you guessing about their motives. The first film, a super-low-budget production never makes it to the theaters (or tape or DVD, for that matter), but 30 years later, it’s got a huge fanbase and Hollywood wants a re-make. And that’s both good and bad. I’ll let you see why.
Loved it! Maybe even more than “The Cabin at the End of the World”, which was also a good movie. I’d love to see “Horror Movie” become a horror movie.
GoodReads says:
A chilling twist on the “cursed film” genre from the bestselling author of The Pallbearers Club and The Cabin at the End of the World.
In June 1993, a group of young guerilla filmmakers spent four weeks making Horror Movie, a notorious, disturbing, art-house horror flick.
The weird part? Only three of the film’s scenes were ever released to the public, but Horror Movie has nevertheless grown a rabid fanbase. Three decades later, Hollywood is pushing for a big budget reboot.
The man who played “The Thin Kid” is the only surviving cast member. He remembers all too well the secrets buried within the original screenplay, the bizarre events of the filming, and the dangerous crossed lines on set that resulted in tragedy. As memories flood back in, the boundaries between reality and film, past and present start to blur. But he’s going to help remake the film, even if it means navigating a world of cynical producers, egomaniacal directors, and surreal fan conventions — demons of the past be damned.
You must be logged in to post a comment.